為弘揚傳統文化宏音齋一直致力于推動民族音樂的發展,復制復活傳統樂器是宏音齋數十年來持續推進的項目之一,這不僅需要精湛的手藝更需要對歷史文化的深入了解,宏音齋人憑借多年的積累、高超技術及對文獻資料的深入理解,攻克各項難關,復制復活了大批古樂器如:現存日本正倉院中國唐代古笙竽、天壇神樂署宮廷古樂器、敦煌千年古樂器、廣西壯族啵咧及苗族蘆笙等。



To carry forward the traditional culture Yinzhai Acer has been committed to promoting the development of national music, musical instrument is one of the traditional copy restoration projects Wang Yinzhai decades continue to promote, which requires not only exquisite craft needs more in-depth understanding of the history and culture of the macro Yinzhai, by virtue of years of accumulated technology, superb and literature understanding to overcome the difficulties, copy, recovery of a large number of ancient musical instruments such as: existing Japan shosoin Yu Sheng Tang Dynasty, ancient China Tiantan palace Kagura Department of ancient musical instruments, Dunhuang Millennium ancient musical instrument, Guangxi Zhuang and Miao Lusheng, boo.

正倉院(笙、竽)

To carry forward the traditional culture Yinzhai Acer has been committed to promoting the development of national music, musical instrument is one of the traditional copy restoration projects Wang Yinzhai decades continue to promote, which requires not only exquisite craft needs more in-depth understanding of the history and culture of the macro Yinzhai, by virtue of years of accumulated technology, superb and literature understanding to overcome the difficulties, copy, recovery of a large number of ancient musical instruments such as: existing Japan shosoin Yu Sheng Tang Dynasty, ancient China Tiantan palace Kagura Department of ancient musical instruments, Dunhuang Millennium ancient musical instrument, Guangxi Zhuang and Miao Lusheng, boo.